Wednesday, November 30, 2011

A Haiku For Doyle

Recently, I purchased a most inspiring book by artist Quinn McDonald, entitled "Raw Art Journaling: Making Meaning, Making Art."  One of her many ideas to help bring forth the creative juices involves composing a haiku (a Japanese form of poetry consisting of three lines, each of which contains 5, 7, and 5 syllables) and doodling imaginatively around the perimeter of it.  
On an unusually warm October day, I sat on the front porch with our dog, Doyle, and this little tribute spilled out in a matter of minutes.  (The second line is a phrase borrowed from my dear friend, Ellen.)  Adding Zentangles around the poem turned into a meditative endeavor that I thoroughly enjoyed.
Some of you already know that Doyle was diagnosed with lymphoma back in January, and about two weeks ago we said "goodbye" to our beloved friend and constant companion.  We have consoled ourselves with the belief that he had a great life while he was here; he brought us boundless joy and unconditional love, and we will be forever grateful that he came into our lives.
And I will miss him more than I can say.
Diane

Friday, October 28, 2011

It's the Bloggers' Quilt Festival!

"Pieces of Dreams"  57" by 57"  ©2008 Diane Evans
Once again, Amy from Amy's Creative Side is sponsoring the semi-annual Bloggers' Quilt Festival, and it promises to be a visual delight, as always.  We quilters have the opportunity to view each others' favorite creations and to share one of our own.
This time around, I've chosen "Pieces of Dreams." This is the second in a series of medallion-style quilts, using Ricky Tims' method of drawing a motif on a piece of paper that has been folded into eighths and then reflecting that motif eight times to create what is known mathematically as radial symmetry – a pattern of design that appeals to my left-brained sense of order. 
Hand-dyed fabrics from Joy's Fabrics were used in this quilt; it is both machine-pieced and machine appliquéd, and the original quilting designs were completed with Sulky 40-weight rayon and metallic threads.
The quilt was named for a much-loved song written by Michel LeGrand, particularly fitting since the sketch was drawn in the middle of a sleepless night.
Do head on over to Amy's blog and enjoy the treats on display -- how perfect for this time of year!

Diane




Saturday, October 22, 2011

Love Letters: Amaryllis

Once upon a time, in a small kingdom far away, a self-professed art quilt blogger wrote about a terrific new book she had purchased, titled “Appliqué Art,” by Stewart Merrett.  This book was a visual feast, with beautiful projects created from sumptuous velvets, silks, and moiré fabrics.  The little blogger promised herself that she would one day tackle one of these enticing projects, and, finally, after a LONG, LONG time, she did.
She gathered together a collection of decorator fabrics . . .
and, using instructions from the beautiful book, she designed a letter “E” to place behind the lovely floral pattern.  She used a satin stitch and 40-weight Sulky rayon thread to appliqué the pieces to the velvet background.   The piece was then outline-quilted with 30-weight rayon . . .
She trimmed it with a velvet border . . .
"Love Letters: Amaryllis"  ©2011 Diane Evans
and brought it to her local A.C. Moore shop to have them place it in a gilded frame.
Her husband (a prince of a man) was so pleased with the little wall quilt that he hung it in a place of honor in the castle, which pleased the blogger very much, since it had taken her SO LONG to finish the piece that she was certain it would languish in her pile of QuIPs (“Quilts In Progress”).
The moral of this tale?  You can finish anything you set out to do if you have enough determination and a 65%-off coupon from your local frame shop.
Diane

Sunday, October 2, 2011

Has Anybody Seen My Mojo??


Talented artist and friend Joanna Monroe gave me sage advice the other day, when I bemoaned to her the fact that my get-up-and-go probably got up and went somewhere; she suggested that I try to make something small, such as an art card, so that I would feel as though I was creating something instead of simply wishing I were. I turned to one of my Zentangle® books by Suzanne McNeill for some inspiration, took out my drawing tools and scissors, and traveled back to kindergarten with my muse in tow.
I drafted a flower shape with leaves and enlarged it on my printer to a size appropriate for filling with tangles.
Using a Micron pen (and a pencil for shading), I drew some of my favorite designs in each petal.  I copied the flower onto white card stock and cut it out; the leaves were drawn onto green card stock and cut out as well.
I then cut three pieces of white and black card stock in graduated sizes, ranging from 4” by 6” to 4.5” by 6.5”, and glued them together to form a bordered background.
I backed a piece of black-and-white dotted fabric with Wonder-Under® and ironed it to a larger piece of card stock; after trimming, this was glued to the bordered background.
I assembled the flower and leaves and glued them in place, adding some hand-drawn tendrils to the empty spaces (the flower looked lonely . . .).
Some beads were sewn to a decorative button, and this was glued in place.
My little creation made me smile and seemed to wake up my sleeping muse.
Joanna, you are a wise woman – and a good friend.  Thank you.
Diane

Sunday, September 18, 2011

"Wind Beneath My Wings" -- Fini!


"Wind Beneath My Wings"  Diane Evans ©2011
What began as a watercolor exercise is now a finished art quilt.  Here’s “Wind Beneath My Wings,” all grown up and ready to go out into the world.
The interior machine quilting was done with 40-weight rayon thread; motifs were outlined with 12-weight cotton thread to add presence to the flowers and butterfly wings.
The hand embroidery was inspired by Laura Wasilowski’s latest book, “Fanciful Stitches, Colorful Quilts,” which features dozens of examples of wonderful hand stitches that add color and texture to any fiber art piece (Be sure to check out Laura's terrific blog here). 
I used straight stitches to accent the purple blooms and to create stamens on the central flower, and French knots were added in various places throughout the quilt.  As a finishing touch, white beads were sewn on –- after all, even a butterfly needs a little bling.
The kite-shaped quilt has been sewn onto a quilted blue background and is poised to fly away with its fabric-knotted tail.  It will travel to various exhibit spaces with other works by fellow artists in ARTAA, our fiber art group, during the coming year.
Thanks for sharing the journey of this art quilt with me – you, dear readers, are truly the “Wind Beneath My Wings.”
Diane

Sunday, September 11, 2011

Thank you, Amy!

A huge "thank you" to Amy at Amy's Creative Side for inviting me to be a guest blogger on her site.  Amy is responsible for the creation of the Bloggers' Quilt Festival, an on-line sharing of quilts by hundreds of fabric artists, held twice a year on Amy's blog.  She continues to work hard to promote and support the on-line quilting community, and I know we're all grateful for her tremendous efforts.
I hope you'll stop by to read our interview here and check out all the wonderful things Amy has to offer.  She has a terrific blog -- you'll be glad you visited.
Diane

Monday, August 29, 2011

Peeking Inside My Sketchbook

Here's a prayer that those of you who share the East Coast with me were able to come through Irene's visit unscathed.  She was quite the unwelcome guest, and we've spent the day cleaning up after her mess -- however, we still have our home and our health, and we're  grateful.
In between the urges to sew, I've spent time during the past months learning and practicing watercolor and journal techniques, inspired by Alisa Burke's workshops and the encouragement of so many of you, dear readers.  Here's a peek:
I loved Alisa's whimsical paisleys, so I tried a few of my own . . .
In this sketch, I tried my hand at shading with watercolor pencils -- I used so much water in one spot that the background paper just melted away, and I had to glue on another piece (the fact that I didn't throw the drawing away shows that I'm learning to embrace imperfection, don't you think?) . . .
Here, I learned how to mix the color chartreuse (it was a bit like cooking: a little of this, a little more of that -- and then remembering what I did so I could repeat it) . . .
I decided to try the watercolor pencils again and had better luck with my Tree of Flowers (I am nothing if not persistent . . .)
The bottom of the page awaits some inspirational journaling -- with luck, that may happen on a future sleepless night.
My thanks to all of you for being there on the other end of my computer . . .
Diane






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